Theatretrain Isle of Wight took audiences on a journey of jazz, fame and infamy with their performance of Chicago: Teen Edition last week, bringing downtown 1920s Chicago to Medina Theatre in Newport.

Chicago follows the crimes and trials of two women at the Cook County Jail, taking an equal parts comedic and satirical dive into the corruption of the US justice system of the time.

The adaptations and cut numbers didn’t cost the show any of its bite, and it was pleasing to see some of the show’s gritter moments remained in place.

The extensive use of the large ensemble, with clever choreography by Callum Davies making the most of the high dance content of the show, provided opportunities for every student to shine.

Both of the young performers taking on the iconic Roxie Hart and Velma Kelly delivered their roles with acres of sass and talent.

Mary Sheath was a joy to watch as Roxie - her natural delivery making it impossible not to root for her.

Lottie Paine’s feisty embodiment of Velma and exceptional execution of the choreography elevated every scene.

Standout vocals from Lilly Valvona as Mama Morton made her number, When You’re Good To Mama, a highlight of the first act.

The sweetness and warmth from Lyla Hunter as Amos Hart made this intentionally unobtrusive character memorable for all the right reasons, even gaining a pantomimic ‘aww’ from the audience when exiting the stage.

Catherine Propia as lawyer Billy Flynn gave a bold and confident performance, swaggering through the story with ease.

These young performers all clearly loved being part of this iconic show, and it’s always brilliant to see the next generation in action and being given the chance to experience a show they otherwise may not have come across for some years yet.